What produces television attention and attention style? Genre, situation, and individual differences as predictors

Robert P. Hawkins, Suzanne Pingree, Jacqueline Hitchon, Barry Radler, Bradley W. Gorham, Leeann Kahlor, Eileen Gilligan, Ronald C. Serlin, Toni Schmidt, Prathana Kannaovakun, Gudbjorg Hildur Kolbeins

Research output: Contribution to journalReview articlepeer-review

Abstract

Individual looks at television vary enormously in length, and this has previously indicated differences in ongoing cognitive processes. Furthermore, the relative frequency of looks of different lengths may indicate styles of attention to television. This article compares visual attention of 152 subjects across a variety of genres and examines differences located by situation, person, and media perception variables. Attention style was not consistent for individuals but varied for different types of programming and between-program breaks. Situational, person, and media belief variables did not predict the proportions of four types of looks. They did, however, predict differences in the proportion of moderately short (orienting) looks across types of content, but not the previously more important very short (monitoring) or moderately long (engaged) looks. The overall importance of type of content in these results suggests that further research should examine within-program differences in message construction and assess attentional style as patterns or sequences of looks.

Original languageEnglish (US)
Pages (from-to)162-187
Number of pages26
JournalHuman Communication Research
Volume31
Issue number1
DOIs
StatePublished - Jan 2005
Externally publishedYes

ASJC Scopus subject areas

  • Communication
  • Developmental and Educational Psychology
  • Anthropology
  • Linguistics and Language

Fingerprint

Dive into the research topics of 'What produces television attention and attention style? Genre, situation, and individual differences as predictors'. Together they form a unique fingerprint.

Cite this