The White Indians of Mexican Cinema: Racial Masquerade throughout the Golden Age

Research output: Book/Report/Conference proceedingBook


The White Indians of Mexican Cinema theorizes the development of a unique form of racial masquerade—the representation of Whiteness as Indigeneity—during the Golden Age of Mexican cinema, from the 1930s to the 1950s. Adopting a broad decolonial perspective while remaining grounded in the history of local racial categories, Mónica García Blizzard argues that this trope works to reconcile two divergent discourses about race in postrevolutionary Mexico: the government-sponsored celebration of Indigeneity and mestizaje (or the process of interracial and intercultural mixing), on the one hand, and the idealization of Whiteness, on the other. Close readings of twenty films and primary source material illustrate how Mexican cinema has mediated race, especially in relation to gender, in ways that project national specificity, but also reproduce racist tendencies with respect to beauty, desire, and protagonism that survive to this day. This sweeping survey illuminates how Golden Age films produced diverse, even contradictory messages about the place of Indigeneity in the national culture.
Original languageEnglish (US)
PublisherSUNY Press
Number of pages326
ISBN (Print)9781438488035, 9781438488042
StatePublished - Apr 2022
Externally publishedYes

Publication series

NameSUNY series in Latin American Cinema


  • Latin American Studies
  • Postcolonial Studies
  • Indigenous Studies
  • Film Studies


Dive into the research topics of 'The White Indians of Mexican Cinema: Racial Masquerade throughout the Golden Age'. Together they form a unique fingerprint.

Cite this