Abstract
Transnational network narrative films attempt a cognitive mapping of global systems through a narrative form interconnecting disparate or seemingly unrelated characters, plotlines, and geographies. These films demonstrate networks on three levels: a network narrative form, themes of networked social relations, and networked industrial production. While they emphasize realism in their aesthetics, these films rely on risk and randomness to map a fantastic network of interrelations, resulting in the magical meeting of multiple and divergent characters and storylines, spectacularizing the reality of social relations, and giving a negative valence to human connection. Over the last 20 years, the network narrative has become a prominent means of representing and containing social relations under neoliberalism.
Original language | English (US) |
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Pages (from-to) | 2680-2704 |
Number of pages | 25 |
Journal | International Journal of Communication |
Volume | 8 |
Issue number | 1 |
State | Published - 2014 |
Keywords
- Globalization
- International film markets
- Neoliberalism
- Network narrative films
- Network theory
- Political economy
ASJC Scopus subject areas
- Communication
Fingerprint
Dive into the research topics of 'The Magical Neoliberalism of Network Films'. Together they form a unique fingerprint.Prizes
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HRI Prize for Research in the Humanities - Faculty
Ciafone, A. M. (Recipient), 2015
Prize: Prize/Award