Abstract
Discusses the sacrilized status of art that 20th century avant-garde, modernist writers created in which the author uses a dialogue that Paul Wunderlich has with James Joyce on sexism, anit-Semitism, art, and politics set against the background of the Holocaust. Joyce's real life violence portrayed in `Giacomo Joyce'; Wunderlich's supplementing Joyce's pre-war verbal manuscript with his own pre-war sketchbook and how it multiplies Joyce's themes; More.
| Original language | English (US) |
|---|---|
| Pages (from-to) | 667-692 |
| Number of pages | 26 |
| Journal | Critical Inquiry |
| Volume | 17 |
| Issue number | 4 |
| State | Published - Jun 1991 |
Keywords
- sexism
- Jewish peoples
- art sketches
- eyeglasses
- poetry
- political representation
- spectroheliographs
- modernist art
- legacies
- civil wars