Abstract
The Chinese cinema under Japanese Occupation during World War II has been peripheralized in the official narrative of the history of Chinese cinema, but the films of the Occupation force us to rethink the multivalent, ambiguous relations between politics and film art.
| Original language | English (US) |
|---|---|
| Pages (from-to) | 66-84 |
| Number of pages | 19 |
| Journal | Cinema Journal |
| Volume | 37 |
| Issue number | 1 |
| DOIs | |
| State | Published - Sep 1 1997 |
Keywords
- movies
- motion picture industry
- entertainment
- Chinese culture
- propaganda
- film criticism
- Japanese culture
- nationalism
- East Asian politics
- ambiguity