Abstract
Since he emerged as an innovative director in the mid-1990s, Bulgarian director Javor Gardev has staged over 50 productions throughout Europe. His theatrical oeuvre unveils and explores the condition of precariousness, a condition of human vulnerability that Judith Butler discusses extensively in recent work. The bare human body, stripped of protective layers, haunts Gardev’s stage- as both predator and prey. This article examines Gardev’s preoccupation with existential vulnerabilities: isolation, a constant threat of violence, various types of imprisonment- and the way these vulnerabilities can be exacerbated socio-politically. In conversation with Gardev, the article explores Gardev’s approach to directing, and the ways that violence, and a generalized threat of violence, but also a longing for contact and connection and the potential for hope, permeate Gardev’s worlds.
| Original language | English (US) |
|---|---|
| Pages (from-to) | 496-505 |
| Number of pages | 10 |
| Journal | Contemporary Theatre Review |
| Volume | 34 |
| Issue number | 4 |
| DOIs | |
| State | Published - 2024 |
Keywords
- : Javor Gardev
- Bulgarian theatre
- Judith Butler
- bare life
- directing
- postcommunist performance
- precariousness
- precarity
- violence
ASJC Scopus subject areas
- Visual Arts and Performing Arts
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