TY - GEN
T1 - Software for teaching music theory
AU - Taube, Heinrich
AU - Burnson, William Andrew
PY - 2009
Y1 - 2009
N2 - We discuss a software development project named Chorale Composer that seeks to create a cohesive student environment for learning techniques in harmonic analysis and counterpoint. Through the use of sophisticated four-part algorithmic analysis, student-input music is immediately scanned for anomalous voice leading and chord construction. The algorithms employed are rigorously model-based and do not employ heuristic patterns or statistical guessing. The analytical engine can detect and generate figured bass, sonority, and roman numeral analyses, and can identify keys (and therefore modulations) by examining leading-tone and bass line resolutions. The software can also be used to analyze existing literature such as the Bach Chorales and to detect stylistic points of interest where the music appears to deviate from the pedagogical "rules of counterpoint." The software is ideal for classroom discussion and practice. It can also assign generative homework exercises to test student comprehension of relevant concepts. The software aims to supplement college-level tonal music theory curricula.
AB - We discuss a software development project named Chorale Composer that seeks to create a cohesive student environment for learning techniques in harmonic analysis and counterpoint. Through the use of sophisticated four-part algorithmic analysis, student-input music is immediately scanned for anomalous voice leading and chord construction. The algorithms employed are rigorously model-based and do not employ heuristic patterns or statistical guessing. The analytical engine can detect and generate figured bass, sonority, and roman numeral analyses, and can identify keys (and therefore modulations) by examining leading-tone and bass line resolutions. The software can also be used to analyze existing literature such as the Bach Chorales and to detect stylistic points of interest where the music appears to deviate from the pedagogical "rules of counterpoint." The software is ideal for classroom discussion and practice. It can also assign generative homework exercises to test student comprehension of relevant concepts. The software aims to supplement college-level tonal music theory curricula.
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M3 - Conference contribution
AN - SCOPUS:84905913511
SN - 9780971319271
T3 - Proceedings of the 2009 International Computer Music Conference, ICMC 2009
SP - 175
EP - 178
BT - Proceedings of the 2009 International Computer Music Conference, ICMC 2009
PB - International Computer Music Association
T2 - 2009 International Computer Music Conference, ICMC 2009
Y2 - 16 August 2009 through 21 August 2009
ER -