SHEMAD

Cynthia Oliver (Choreographer), Rhetta Aleong (Performer), Cynthia Bueschel (Performer), Renee Redding Jones (Performer), Melissa Wynn (Performer), Jason Finkelman (Composer), Geoff Gersh (Composer), Charles Cohen (Composer)

Research output: Non-textual formChoreography

Abstract

SHEMAD is a full evening choregraphic/performance work by Oliver that addresses notions of women gone mad. Utilizing Caribbean mythologies behind women who contain immense power over others in their respective communities, Oliver asserts some diagnoses of “madness” has become a method designed to manage, and contain women’s power and potential in society. This new work problematizes the notion of madness as it has been presumed in our culture and complicates the way the term has been used within communities of women, men, and larger social constructs in both the Caribbean and the Americas. SHEMAD questions the ways in which categories of speech are employed to determine women who do not “behave” as mad, and tells stories which vocally, physically, and musically embody devices that have been used to “contain” mad women. SHEMAD is an evening length piece with five amazing, dancing, talking women, live music, beautiful costumes, and of course HIGH DRAMA.
Original languageEnglish (US)
StatePublished - 2000

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  • Research Output

    • 1 Choreography

    because she was

    Oliver, C., Finkelman, J., Gersh, G. & McDonald, A., 2001

    Research output: Non-textual formChoreography

  • Cite this

    Oliver, C. (Choreographer), Aleong, R. (Performer), Bueschel, C. (Performer), Redding Jones, R. (Performer), Wynn, M. (Performer), Finkelman, J. (Composer), Gersh, G. (Composer), & Cohen, C. (Composer). (2000). SHEMAD. Choreography