TY - JOUR
T1 - Scaffolding and Play Approaches to Digital Humanities Pedagogy
T2 - Assessment and Iteration in Topically-Driven Courses
AU - Tracy, Daniel
AU - Hoiem, Elizabeth Fabry Massa
PY - 2017
Y1 - 2017
N2 - Discussions of digital humanities pedagogy have often focused on discussions of “scaffolding” and “play” (alternatively, “tinkering”) approaches, and methods for assessing student work appropriate to both techniques. While these approaches may seem oppositional, we emphasize the need to balance them in most classroom contexts, and explore challenges with integrating new digital humanities platforms in topically-driven humanities classrooms. We examine our experiences as an instructor and a librarian partnering to include a multimedia publishing assignment sequence in a course on the history of children’s literature, and our assessment of our approach to instruction in a distance graduate education context that is not amenable to the “lab”-based learning usually used in person for DH learning. While discussions of assessment of DH classroom projects generally focus on the question of how to grade student work, we argue that assessment is as important for reflecting on and evaluating pedagogy, including how to balance and iteratively improve “scaffolding” and “play” approaches. These issues are important not just for experienced DH instructors, but also humanities instructors without a DH background beginning to integrate digital assignments as a new norm.
AB - Discussions of digital humanities pedagogy have often focused on discussions of “scaffolding” and “play” (alternatively, “tinkering”) approaches, and methods for assessing student work appropriate to both techniques. While these approaches may seem oppositional, we emphasize the need to balance them in most classroom contexts, and explore challenges with integrating new digital humanities platforms in topically-driven humanities classrooms. We examine our experiences as an instructor and a librarian partnering to include a multimedia publishing assignment sequence in a course on the history of children’s literature, and our assessment of our approach to instruction in a distance graduate education context that is not amenable to the “lab”-based learning usually used in person for DH learning. While discussions of assessment of DH classroom projects generally focus on the question of how to grade student work, we argue that assessment is as important for reflecting on and evaluating pedagogy, including how to balance and iteratively improve “scaffolding” and “play” approaches. These issues are important not just for experienced DH instructors, but also humanities instructors without a DH background beginning to integrate digital assignments as a new norm.
M3 - Article
SN - 1938-4122
VL - 11
JO - Digital Humanities Quarterly
JF - Digital Humanities Quarterly
IS - 4
ER -