Examining the work of impresarios, financiers, and the press as well as the artists themselves, Hohman demonstrates how a variety of Russian theatrical styles were introduced and incorporated into American theatre and dance during the beginning of the twentieth century.
|Original language||English (US)|
|Number of pages||209|
|State||Published - 2011|
|Name||Palgrave Studies in Theatre and Performance History|
Robinson, V. J. (2011). Russian Culture and Theatrical Performance in America, 1891-1933. (Palgrave Studies in Theatre and Performance History). Palgrave Macmillan. https://doi.org/10.1057/9780230119901