Abstract
This article analyses how Swedish director Ruben Östlund’s much-discussed feature film Play (2011) re-aligns assumptions of auteur and art cinema through its plot, thematic and compositional aspects, while relating these to digital communication technologies and convergence paradigms.
Original language | English (US) |
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Pages (from-to) | 77-84 |
Number of pages | 8 |
Journal | Journal of Scandinavian Cinema |
Volume | 4 |
Issue number | 1 |
DOIs | |
State | Published - 2014 |
Externally published | Yes |
Keywords
- Art cinema
- Auteur
- Communication
- Convergence
- Database
- Digital film and cinema
- Long-take
- Play
- Ruben Östlund
- Technology and Smart phones
ASJC Scopus subject areas
- Visual Arts and Performing Arts