Abstract
Here, I outline a performative approach to the politicized public sphere specifically drawing on Moises Kaufman’s Laramie Project,1 Saldaña’s call for a critical ethnotheatre that engages key moments in a culture’s history, and Augusto Boal’s Theatre of the Oppressed.
| Original language | English (US) |
|---|---|
| Pages (from-to) | 238-241 |
| Number of pages | 4 |
| Journal | Qualitative Inquiry |
| Volume | 26 |
| Issue number | 2 |
| Early online date | Oct 14 2019 |
| DOIs | |
| State | Published - Feb 1 2020 |
Keywords
- critical pedagogy
- critical qualitative inquiry
- performance ethnography
- public sphere
ASJC Scopus subject areas
- Anthropology
- Social Sciences (miscellaneous)