Abstract
Here, I outline a performative approach to the politicized public sphere specifically drawing on Moises Kaufman’s Laramie Project,1 Saldaña’s call for a critical ethnotheatre that engages key moments in a culture’s history, and Augusto Boal’s Theatre of the Oppressed.
Original language | English (US) |
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Pages (from-to) | 238-241 |
Number of pages | 4 |
Journal | Qualitative Inquiry |
Volume | 26 |
Issue number | 2 |
Early online date | Oct 14 2019 |
DOIs | |
State | Published - Feb 1 2020 |
Keywords
- critical pedagogy
- critical qualitative inquiry
- performance ethnography
- public sphere
ASJC Scopus subject areas
- Anthropology
- Social Sciences (miscellaneous)