Abstract
This article analyzes Noc ́ Reklamoždera, a popular screening of advertisements in Belgrade in 2003, in relationship to transformations in political practice and subjectivity in contemporary Serbia. The argument takes as its starting point a historical analysis of social and political practices among students and student organizations in socialist and post-socialist Yugoslavia. I argue that Noc ́ Reklamoždera’s use of socialist forms and iconography formulates new sites for youth political belonging that avoid interest-based politics and fragmentation endemic to liberal democratic modes of governance. Contradictions that emerge at the intersection of post-socialism, liberal democracy, and neoliberalism are revealed through the lens of Noc ́ Reklamoždera’s consumption-mediated approach to representation and its appropriation of socialist symbols.
| Original language | English (US) |
|---|---|
| Pages (from-to) | 181-207 |
| Number of pages | 27 |
| Journal | Political and Legal Anthropology Review |
| Volume | 29 |
| Issue number | 2 |
| DOIs | |
| State | Published - Nov 2006 |
| Externally published | Yes |
Keywords
- Serbia
- democracy
- representation
- post-socialism
- student organizations
ASJC Scopus subject areas
- Anthropology
- Sociology and Political Science
- Law