Maya and Mia At La La Land

Research output: Non-textual formDigital or Visual Products

Abstract

‘Maya and Mia At La La Land’ applies videographic research methods, continuity editing principles, Soviet theories of montage, and Maya Deren’s parametric frameworks from At Land (1944) to Damien Chazelle’s La La Land (2016), re-editing the films’ narratives to present an evolving relationship between their leading women that emphasises the filmmakers’ stylistic compatibility and rigour.
Original languageEnglish (US)
PublisherScreenworks
DOIs
StatePublished - Dec 2019

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