Marines. Matrice générique et migrations interartistiques chez Anselm Kiefer après Marcel Proust et Arthur Rimbaud

Research output: Chapter in Book/Report/Conference proceedingConference contribution

Abstract

Focusing on the genre of seascapes, this article observes a series of interartistic migrations, going from painting to literature and back to the visual arts in the works of Anselm Kiefer. The German artist relies on Rimbaud’s and Proust’s literary appropriations of the pictorial genre and brings the seascape back into the field of visual arts. It becomes the matrix of an art where all boarders – whether generic, artistic, geographic or symbolic– fluctuate. From Rimbaud to Kiefer, the genre of the seascape migrates in such a way that it becomes emblematic of the very dissolution of all boarders and genres, that will lead to their recomposition.
Original languageEnglish (US)
Title of host publicationMigrations des genres et des formes littéraires et artistiques
Subtitle of host publicationProceedings of the 41th Congress of the Société Française de Littérature Générale et Comparée
StatePublished - 2019
EventMigrations des genres et des formes littéraires et artistiques - Université Toulouse, Toulouse, France
Duration: Oct 11 2017Oct 13 2017

Conference

ConferenceMigrations des genres et des formes littéraires et artistiques
Abbreviated titleSFLGC 2017
CountryFrance
CityToulouse
Period10/11/1710/13/17

Fingerprint Dive into the research topics of 'Marines. Matrice générique et migrations interartistiques chez Anselm Kiefer après Marcel Proust et Arthur Rimbaud'. Together they form a unique fingerprint.

  • Cite this

    Gaillard, J. (2019). Marines. Matrice générique et migrations interartistiques chez Anselm Kiefer après Marcel Proust et Arthur Rimbaud. In Migrations des genres et des formes littéraires et artistiques: Proceedings of the 41th Congress of the Société Française de Littérature Générale et Comparée