Maracatunaíma: Musical Semiotics, the Northeastern Imaginary and the Sound of Fortaleza

Danielle Maia Cruz, Michael B Silvers

Research output: Contribution to journalArticle

Abstract

This article argues that Eletrocactus, a rock band based in Fortaleza, Ceará, Brazil, attempts to construct a new regional imaginary by citing pre-existing musical signs of their city, state and nation while also creating new musical vocabularies. In doing so, they participate in various discourses concerning local, regional and national identity. For the members of the band, their music generates feelings of self-recognition and promotes the preservation and production of local culture. Engaging a theory of musical semiotics, this article analyzes recordings and presentations of the band Eletrocactus viewed in the context of Ceará’s regionalist musical history, including the role of the maracatu cearense tradition, the Pessoal do Ceará and the Movimento Cabaçal. As such, the songs of Eletrocactus re-imagine Fortaleza, Ceará, the Northeast, and Brazil.
Original languageEnglish (US)
JournalVibrant – Virtual Brazilian Anthropology
Volume8
Issue number1
DOIs
StatePublished - 2011

Fingerprint

Brazil
Sound
City-state
Northeast
Music
Rock Band
Local Identity
Vocabulary
History
Self-recognition
Discourse
National Identity
Regional Identity
Local Culture
Song

Keywords

  • musical vocabulary
  • Maracatu
  • Northeastern Brazilian music

Cite this

Maracatunaíma : Musical Semiotics, the Northeastern Imaginary and the Sound of Fortaleza. / Cruz, Danielle Maia; Silvers, Michael B.

In: Vibrant – Virtual Brazilian Anthropology, Vol. 8, No. 1, 2011.

Research output: Contribution to journalArticle

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