Making photography matter: A viewer’s history from the civil war to the great depression

Research output: Book/ReportBook

Abstract

Photography became a dominant medium in mass culture starting in the late nineteenth century. As it happened, viewers increasingly used their reactions to photographs to comment on and debate public issues as vital as war, national identity, and citizenship. Cara A. Finnegan analyzes a wealth of newspaper and magazine articles, letters to the editor, trial testimony, books, and speeches produced by viewers in response to specific photos they encountered in public. From the portrait of a young Lincoln to images of child laborers and Depression-era hardship, Finnegan treats the photograph as a locus for viewer engagement and constructs a history of photography's viewers that shows how Americans used words about images to participate in the politics of their day. As she shows, encounters with photography helped viewers negotiate the emergent anxieties and crises of U.S. public life through not only persuasion but action, as well.

Original languageEnglish (US)
PublisherUniversity of Illinois Press
Number of pages242
ISBN (Electronic)9780252097317
ISBN (Print)9780252039263
StatePublished - Jan 1 2015

Fingerprint

Great Depression
photography
civil war
history
mass culture
letters to the editor
persuasion
testimony
magazine
national identity
newspaper
nineteenth century
citizenship
anxiety
politics
Civil War
History
Viewer
Photography

ASJC Scopus subject areas

  • Arts and Humanities(all)
  • Social Sciences(all)

Cite this

Making photography matter : A viewer’s history from the civil war to the great depression. / Finnegan, Cara Anne.

University of Illinois Press, 2015. 242 p.

Research output: Book/ReportBook

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