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Abstract
These essays recover the lively discussions on the topics of 'magnificence' and 'the sublime' in the art and literature of antiquity, the Renaissance, and the ages following, and apply them to the Middle Ages to draw exciting new conclusions.
| Original language | English (US) |
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| Publisher | Palgrave Macmillan |
| Number of pages | 309 |
| ISBN (Print) | 978-0-230-61898-5 |
| State | Published - 2010 |
Publication series
| Name | The New Middle Ages |
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Fingerprint
Dive into the research topics of 'Magnificence and the Sublime in Medieval Aesthetics: Art, Architecture, Literature, Music'. Together they form a unique fingerprint.Research output
- 3 Chapter
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"Error Left Me and Fear Came in Its Place": The Arrested Sublime of the Giants in Divine Comedy, Canto XXXI
Stoppino, E., 2010, Magnificence and the Sublime in Medieval Aesthetics: Art, Architecture, Literature, Music. Jaeger, C. S. (ed.). Palgrave Macmillan, p. 179-192Research output: Chapter in Book/Report/Conference proceeding › Chapter
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Introduction
Jaeger, C. S., 2010, Magnificence and the Sublime in Medieval Aesthetics: Art, Architecture, Literature, Music. Jaeger, C. S. (ed.). Palgrave Macmillan, p. 1-16Research output: Chapter in Book/Report/Conference proceeding › Chapter
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Richard of St. Victor and the Medieval Sublime
Jaeger, C. S., 2010, Magnificence and the Sublime in Medieval Aesthetics: Art, Architecture, Literature, Music. Jaeger, C. S. (ed.). Palgrave Macmillan, p. 157-178Research output: Chapter in Book/Report/Conference proceeding › Chapter