TY - JOUR
T1 - Lucy Hutchinson’s Everyday War
T2 - The 1640s Manuscript and her Restoration ‘Elegies’
AU - Gray, Catharine
N1 - Publisher Copyright:
© 2023 English Literary Renaissance, Inc. All rights reserved.
PY - 2024/1
Y1 - 2024/1
N2 - This essay argues that the seventeenth-century British writer, Lucy Hutchinson, experiments with the form and content of her early prose and late poetry in ways that reveal the everyday dimensions of warfare, as it was experienced on the ground and in the periodical news of the period. During the mid-1640s, in the midst of the civil wars, Hutchinson produced an untitled manuscript, an episodic narrative of local war that overlaps with print journalism. After the Restoration, she produced a series of manuscript poems that combine Parliamentary elegies for soldiers with the genres of aubade and nocturne to criticize a public violence now concentrated in the monarchal state. As Hutchinson shifts from composing a kind of war correspondence that supports the war effort to a species of war elegy critical of state hostilities, she frames armed conflict not as an exceptional event but as a form of business as usual: it depends on and reshapes the infrastructures, spaces, emotions, and habits of quotidian life and becomes, in its turn, a normalized version of that life. Across different contexts and genres, then, she helps reveal the key role of the ordinary in war alongside the ways war itself becomes ordinary, part of the real and journalistic everyday. [C.G.].
AB - This essay argues that the seventeenth-century British writer, Lucy Hutchinson, experiments with the form and content of her early prose and late poetry in ways that reveal the everyday dimensions of warfare, as it was experienced on the ground and in the periodical news of the period. During the mid-1640s, in the midst of the civil wars, Hutchinson produced an untitled manuscript, an episodic narrative of local war that overlaps with print journalism. After the Restoration, she produced a series of manuscript poems that combine Parliamentary elegies for soldiers with the genres of aubade and nocturne to criticize a public violence now concentrated in the monarchal state. As Hutchinson shifts from composing a kind of war correspondence that supports the war effort to a species of war elegy critical of state hostilities, she frames armed conflict not as an exceptional event but as a form of business as usual: it depends on and reshapes the infrastructures, spaces, emotions, and habits of quotidian life and becomes, in its turn, a normalized version of that life. Across different contexts and genres, then, she helps reveal the key role of the ordinary in war alongside the ways war itself becomes ordinary, part of the real and journalistic everyday. [C.G.].
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U2 - 10.1086/727999
DO - 10.1086/727999
M3 - Article
AN - SCOPUS:85180440377
SN - 0013-8312
VL - 54
SP - 76
EP - 106
JO - English Literary Renaissance
JF - English Literary Renaissance
IS - 1
ER -