Abstract
This article details a major digitization and access project to make Variety's run from 1905 to 1940 freely available online. It uses multiple quantitative research methods- including distant-reading practices of the Digital Humanities and quantitative content analysis-to argue that Variety's decisions about when and how to cover the film and radio industries need to be understood as a series of specific internal strategies made in relation to a dynamic business environment. Situating the project's digitization of Variety as a form of philology, the authors argue that corpus digitization should be considered a scholarly practice, not simply a technical one.
| Original language | English (US) |
|---|---|
| Pages (from-to) | 76-105 |
| Number of pages | 30 |
| Journal | Film History: An International Journal |
| Volume | 27 |
| Issue number | 4 |
| DOIs | |
| State | Published - 2015 |
| Externally published | Yes |
Keywords
- Content analysis
- Digital humanities
- Distant reading
- Hollywood trade press
- Philology
- Variety
ASJC Scopus subject areas
- Visual Arts and Performing Arts
- History