Abstract
This article details a major digitization and access project to make Variety's run from 1905 to 1940 freely available online. It uses multiple quantitative research methods- including distant-reading practices of the Digital Humanities and quantitative content analysis-to argue that Variety's decisions about when and how to cover the film and radio industries need to be understood as a series of specific internal strategies made in relation to a dynamic business environment. Situating the project's digitization of Variety as a form of philology, the authors argue that corpus digitization should be considered a scholarly practice, not simply a technical one.
Original language | English (US) |
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Pages (from-to) | 76-105 |
Number of pages | 30 |
Journal | Film History: An International Journal |
Volume | 27 |
Issue number | 4 |
DOIs | |
State | Published - 2015 |
Externally published | Yes |
Keywords
- Content analysis
- Digital humanities
- Distant reading
- Hollywood trade press
- Philology
- Variety
ASJC Scopus subject areas
- Visual Arts and Performing Arts
- History