Imperial Blues: Geographies of Race and Sex in Jazz Age New York

Research output: Book/ReportBook

Abstract

In this pathbreaking study, Fiona I. B. Ngô examines how geographies of U.S. empire were perceived and enacted during the 1920s and 1930s. Focusing on New York during the height of the Harlem Renaissance, Ngô traces the city's multiple circuits of jazz music and culture. In considering this cosmopolitan milieu, where immigrants from the Philippines, Cuba, Puerto Rico, Mexico, Japan, and China crossed paths with blacks and white "slummers" in dancehalls and speakeasies, she investigates imperialism's profound impact on racial, gendered, and sexual formations. As nightclubs overflowed with the sights and sounds of distant continents, tropical islands, and exotic bodies, tropes of empire provided both artistic possibilities and policing rationales. These renderings naturalized empire and justified expansion, while establishing transnational modes of social control within and outside the imperial city. Ultimately, Ngô argues that domestic structures of race and sex during the 1920s and 1930s cannot be understood apart from the imperial ambitions of the United States.
Original languageEnglish (US)
PublisherDuke University Press
Number of pages280
ISBN (Print)9780822355243, 9780822355397
StatePublished - Feb 2014

Fingerprint

Geography
Blues
Jazz
1920s
1930s
Rendering
Nightclub
Jazz music
Philippines
Tropes
Harlem Renaissance
Milieu
Sexual
China
Mexico
Ambition
Cuba
Sound
Imperialism
Social Control

Keywords

  • Minorities
  • New York (State)
  • Imperialism
  • Immigrants
  • Arts and society

Cite this

Imperial Blues : Geographies of Race and Sex in Jazz Age New York. / Ngo, Fiona.

Duke University Press, 2014. 280 p.

Research output: Book/ReportBook

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