Abstract
The unique experience of Black Americans in the United States produces a physical and cultural space with a long history of misuse, commodification, and theft of the Black imagination and Black culture. These spaces, which also historically complicate notions of privatization and ownership, are replicated online today. In this essay, we propose the corner as a lens through which to interrogate whether Black networks online potentially produce a rhetorical digital commons and, further, whether the theory and practice of “the commons” adequately make space for the particular historical reality of Black America. To do so, we focus on three social media platforms wherein Black digital praxis meets the possibility of the corner: TikTok, Twitter, and Black Planet. These digital corners provide lessons that center the Black experience on- and offline, and point toward possibilities and limitations in our digital future. Ultimately we argue that the corner contradicts hegemonic modes of white supremacy in public spaces while also spotlighting the brutal realities of gentrification, commodification, and theft that fortify the exploitation of Black communities.
| Original language | English (US) |
|---|---|
| Pages (from-to) | 316-327 |
| Number of pages | 12 |
| Journal | Rhetoric Society Quarterly |
| Volume | 53 |
| Issue number | 3 |
| DOIs | |
| State | Published - 2023 |
| Externally published | Yes |
Keywords
- Black/African American rhetoric
- digital commons
- digital rhetoric
- social media
ASJC Scopus subject areas
- Communication
- Linguistics and Language
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