How Live Is Real-Time ?

Research output: Chapter in Book/Report/Conference proceedingConference contribution


This paper is predicated on the argument that real-time computer-generated music exists on a spectrum of ‘liveness’. First, a brief discussion of liveness situates the question of liveness in real-time computer music. Then, comparing terminology for liveness in real-time computer music characterizes the issues involved. Finally, several musical examples delineate the liveness spectrum in question.
Original languageEnglish (US)
Title of host publicationProceedings of the Electroacoustic Music Studies Network Conference Electroacoustic Music Beyond Concert Performance, Berlin, June 2014
StatePublished - 2014
Externally publishedYes


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