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Friction: Male Identity and Representation in Umfundalai
C. Kemal Nance
African American Studies
Center for Latin American and Caribbean Studies
College of Fine and Applied Arts
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Keyphrases
Friction
100%
Male Identity
100%
Gender Construction
100%
Gender Performance
100%
Research Journals
50%
Grounded Theory
50%
Lived Experience
50%
Depth Interviews
50%
Qualitative Methodology
50%
Autoethnography
50%
Hegemony
50%
Hermeneutic Phenomenology
50%
Masculinity
50%
Social Function
50%
Dancers
50%
Anselm
50%
African Dance
50%
Self-determined
50%
Male Practitioners
50%
Multiple Masculinities
50%
Studio Practice
50%
Arts and Humanities
Masculinity
100%
Gender performance
66%
Periodicals
33%
Literature
33%
Tradition
33%
Practitioners
33%
Lived Experience
33%
Hegemony
33%
Dance
33%
Grounded Theory
33%
Social Function
33%
Affirmation
33%
In-depth interviews
33%
African dance
33%
Qualitative Methodology
33%
Hermeneutic Phenomenology
33%
Studio Practice
33%