Formulating abstraction: Conceptual art and the architectural object

Research output: Contribution to journalArticle

Abstract

Digital techniques, primarily software appropriated from the entertainment and industrial design sectors, have destabilized the essential status of the architectural image-object formulated in classical philosophical thought. Western European art experienced a similar crisis when conceptual art movements of the 1960s challenged Clement Greenberg's notion of medium specificity. The author examines work by conceptual artists whose theories posit alternative views of spatial and social relations based on open-ended systems and indeterminacy. An examination of the relationship between materiality and abstraction as exemplified in new media's reformulation of architectural design processes indicates how a more inclusive and mutable profession has been realized.

Original languageEnglish (US)
Pages (from-to)51-57
Number of pages7
JournalLeonardo
Volume40
Issue number1
DOIs
StatePublished - Feb 2007
Externally publishedYes

Fingerprint

Architectural design
Open systems
Product design
Materiality
1960s
Architectural Design
Conceptual Artist
European Art
Spatial Relations
Industrial Design
Open Systems
Clement Greenberg
Art Movements
Reformulation
Social Relations
Entertainment
Indeterminacy
Software
Medium Specificity
New Media

ASJC Scopus subject areas

  • Visual Arts and Performing Arts
  • Engineering (miscellaneous)
  • Music
  • Computer Science Applications

Cite this

Formulating abstraction : Conceptual art and the architectural object. / Tierney, Therese.

In: Leonardo, Vol. 40, No. 1, 02.2007, p. 51-57.

Research output: Contribution to journalArticle

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