Formulating abstraction: Conceptual art and the architectural object

Therese Tierney

Research output: Contribution to journalArticlepeer-review


Digital techniques, primarily software appropriated from the entertainment and industrial design sectors, have destabilized the essential status of the architectural image-object formulated in classical philosophical thought. Western European art experienced a similar crisis when conceptual art movements of the 1960s challenged Clement Greenberg's notion of medium specificity. The author examines work by conceptual artists whose theories posit alternative views of spatial and social relations based on open-ended systems and indeterminacy. An examination of the relationship between materiality and abstraction as exemplified in new media's reformulation of architectural design processes indicates how a more inclusive and mutable profession has been realized.

Original languageEnglish (US)
Pages (from-to)51-57
Number of pages7
Issue number1
StatePublished - Feb 2007
Externally publishedYes

ASJC Scopus subject areas

  • Visual Arts and Performing Arts
  • Engineering (miscellaneous)
  • Music
  • Computer Science Applications


Dive into the research topics of 'Formulating abstraction: Conceptual art and the architectural object'. Together they form a unique fingerprint.

Cite this