TY - JOUR
T1 - Disorder
T2 - Vocabularies of hoarding in personal digital archiving practices
AU - Chen, Anna
N1 - Publisher Copyright:
© 2014 Association of Canadian Archivists. All rights reserved.
PY - 2014
Y1 - 2014
N2 - The image of the “digital hoarder,” buried under the disorganized turmoil created by the volume of his digital possessions, has become an increasingly popular way for individuals to describe their everyday digital collecting habits. This article argues that such self-characterization offers valuable insights into the psychologies of personal archiving practices. It examines the ways in which hoarding can expose and interrogate assumptions and biases about the act of organization, and traces an emergent cultural attitude toward hoarding, not as indiscriminate and disorganized accumulation, but rather as a struggle to sculpt a sense of self and purpose through one’s possessions. It then considers how “digital hoarding,” as a subculture of recordkeeping, can inform our understanding of how and why digital personal archives are shaped and maintained. A deeper understanding of hoarding, and of record creators’ self-defined analogues between hoarding and their digital personal information management practices, can benefit endeavours to educate the public about personal digital records management, by encouraging archivists to take into account more fully the organic ways in which individual organizational practices have developed. In these ways, this article seeks to balance archival outreach efforts with what the digital public can teach the archival profession about itself.
AB - The image of the “digital hoarder,” buried under the disorganized turmoil created by the volume of his digital possessions, has become an increasingly popular way for individuals to describe their everyday digital collecting habits. This article argues that such self-characterization offers valuable insights into the psychologies of personal archiving practices. It examines the ways in which hoarding can expose and interrogate assumptions and biases about the act of organization, and traces an emergent cultural attitude toward hoarding, not as indiscriminate and disorganized accumulation, but rather as a struggle to sculpt a sense of self and purpose through one’s possessions. It then considers how “digital hoarding,” as a subculture of recordkeeping, can inform our understanding of how and why digital personal archives are shaped and maintained. A deeper understanding of hoarding, and of record creators’ self-defined analogues between hoarding and their digital personal information management practices, can benefit endeavours to educate the public about personal digital records management, by encouraging archivists to take into account more fully the organic ways in which individual organizational practices have developed. In these ways, this article seeks to balance archival outreach efforts with what the digital public can teach the archival profession about itself.
UR - http://www.scopus.com/inward/record.url?scp=84912528776&partnerID=8YFLogxK
UR - http://www.scopus.com/inward/citedby.url?scp=84912528776&partnerID=8YFLogxK
M3 - Article
AN - SCOPUS:84912528776
SN - 0318-6954
SP - 115
EP - 134
JO - Archivaria
JF - Archivaria
IS - 78
ER -