TY - GEN
T1 - CURTAIN and Time to Compile
T2 - 27th IEEE International Symposium on Robot and Human Interactive Communication, RO-MAN 2018
AU - Cuan, Catie
AU - Pakrasi, Ishaan
AU - Berl, Erin
AU - Laviers, Amy
N1 - Publisher Copyright:
© 2018 IEEE.
PY - 2018/11/6
Y1 - 2018/11/6
N2 - Performance is a vehicle to explore and modify audience experiences. The design of expressive robotic systems shares a similar goal. Toward the end of uniting these two approaches, this paper presents a collaborative academic and artistic effort to design an experimental testbed for studying human perceptions of robots, and changes therein, through dance performance. The elements of the testbed design, which allow for multiple audience experiences inside the same live event, will be outlined. Then, one instantiation of a performance using this testbed design will be summarized. In developing this testbed and instantiation, synergistic academic and artistic goals included measuring the audience's initial perception of existing technologies and further priming the audience about these technologies through the performance. These perceptions were framed through the lenses of power, valence, and acceptability; comparisons between the Rethink Robotics Baxter, Softbank NAO, and a human performer are presented. This piece (and excerpts of it) will be used to gather audience perceptions at multiple events to bring lay audience members the experience of robotics researchers and understand how that modifies their impressions of these systems.
AB - Performance is a vehicle to explore and modify audience experiences. The design of expressive robotic systems shares a similar goal. Toward the end of uniting these two approaches, this paper presents a collaborative academic and artistic effort to design an experimental testbed for studying human perceptions of robots, and changes therein, through dance performance. The elements of the testbed design, which allow for multiple audience experiences inside the same live event, will be outlined. Then, one instantiation of a performance using this testbed design will be summarized. In developing this testbed and instantiation, synergistic academic and artistic goals included measuring the audience's initial perception of existing technologies and further priming the audience about these technologies through the performance. These perceptions were framed through the lenses of power, valence, and acceptability; comparisons between the Rethink Robotics Baxter, Softbank NAO, and a human performer are presented. This piece (and excerpts of it) will be used to gather audience perceptions at multiple events to bring lay audience members the experience of robotics researchers and understand how that modifies their impressions of these systems.
UR - http://www.scopus.com/inward/record.url?scp=85058067587&partnerID=8YFLogxK
UR - http://www.scopus.com/inward/citedby.url?scp=85058067587&partnerID=8YFLogxK
U2 - 10.1109/ROMAN.2018.8525520
DO - 10.1109/ROMAN.2018.8525520
M3 - Conference contribution
AN - SCOPUS:85058067587
T3 - RO-MAN 2018 - 27th IEEE International Symposium on Robot and Human Interactive Communication
SP - 255
EP - 261
BT - RO-MAN 2018 - 27th IEEE International Symposium on Robot and Human Interactive Communication
PB - Institute of Electrical and Electronics Engineers Inc.
Y2 - 27 August 2018 through 31 August 2018
ER -