Abstract
In 2006, Peru's government awarded an intellectual property (IP) title known as a denomination of origin to the traditional ceramics made by artisans in the northern town of Chulucanas. The move was celebrated by the state as a culturally sensitive strategy for regional development that promised to preserve cultural tradition and heritage and to provide a model for future economic development strategies among other native populations across the country. This study explores the means by which rural and native communities - once framed as economically marginal actors and potential liabilities for the nation-state - are selectively transformed into new agents of cultural innovation under contemporary IP-based development plans. Based on interviews with participants and planners of Chulucanas' IP-based development initiative, this research highlights how local accounts question the state's claims to use IP to pursue a national "export culture" and promote rural producers' global "competitivity" while simultaneously protecting local, collectively held production techniques.
Original language | English (US) |
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Pages (from-to) | 90-102 |
Number of pages | 13 |
Journal | Anthropology of Work Review |
Volume | 32 |
Issue number | 2 |
DOIs | |
State | Published - Sep 2011 |
Keywords
- Artisans
- Ceramics
- Development
- Entrepreneurs
- Information society
- Intellectual property
- Peru
ASJC Scopus subject areas
- Anthropology