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Abstract
Discusses initiative of the Chinese American Frank Lee to exhibit Shaw Brothers’ theatrical and musical Mandarin-language prestige productions to New York art cinema audiences in the mid-1960s, including a version of the classic Hua Mulan tale. Suggests that local critics’ dismissal of the feminine genre fostered Shaw’s US promotion of martial arts films instead.
| Original language | English (US) |
|---|---|
| Title of host publication | China Forever |
| Subtitle of host publication | The Shaw Brothers and Diasporic Cinema |
| Editors | Poshek Fu |
| Place of Publication | Urbana, IL |
| Publisher | University of Illinois Press |
| Pages | 174-198 |
| Number of pages | 25 |
| ISBN (Print) | 978-0-252-03273-8, 978-0-252-07500-1 |
| State | Published - Aug 2008 |
Publication series
| Name | Popular Culture and Politics in Asia Pacific |
|---|
Keywords
- Asia -- Arts
- Hong Kong -- Arts
- Asia -- Arts -- Cinema
- Hong Kong -- Arts -- Cinema
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Dive into the research topics of 'Bridging the Pacific with Love Eterne'. Together they form a unique fingerprint.Research output
- 1 Book
-
China Forever: The Shaw Brothers and Diasporic Cinema
Fu, P. (Editor), Aug 2008, Urbana, IL: University of Illinois Press. 280 p. (Popular Culture and Politics in Asia Pacific)Research output: Book/Report/Conference proceeding › Book