Art Controversy in the Obama White House: Performing Tensions of Race in the Visual Politics of the Presidency

Cara A. Finnegan, Anita J. Mixon

Research output: Contribution to journalArticlepeer-review

Abstract

In 2009, two works by African American artists selected for display in the White House produced controversy among critics of the president. Our analysis explores how media discussion involving a Charles Alston bust of Dr. Martin Luther King, Jr., and an abstract painting by Alma Thomas unearthed cultural tensions involving the practice of imitation, the value of presence, and the role of Black art and artists. Such tensions shaped the debate about the art works chosen by the Obamas and raised the question of how to define and place a Black president in the first year of his first term.
Original languageEnglish (US)
Pages (from-to)244-266
Number of pages23
JournalPresidential Studies Quarterly
Volume44
Issue number2
DOIs
StatePublished - Jun 1 2014

Keywords

  • Obama, Barack, 1961-
  • Alston, Charles Henry, 1907-1977
  • Thomas, Alma
  • African American artists
  • African American art
  • Presidents -- United States
  • RACE relations
  • United States

Fingerprint

Dive into the research topics of 'Art Controversy in the Obama White House: Performing Tensions of Race in the Visual Politics of the Presidency'. Together they form a unique fingerprint.

Cite this