Abstract
In Quebec, co-production is considered both as simply one aspect of the Americanization of cinematic practices and also as a means to express of a certain "Americanness". This text examines the increasingly "hybrid" space that contemporary Quebec cinema seems to inhabit. An analysis of a number of recent co-productions made in Quebec illustrates the interplay between referents seen as "other" and as "specific" in order to demonstrate the relationship between co-production and "national" cinema in terms of cultural hybridity.
| Original language | French |
|---|---|
| Pages (from-to) | 60-71 |
| Journal | Cinémas |
| Volume | 1 |
| Issue number | 1-2 |
| DOIs | |
| State | Published - 1990 |