Abstract
This essay serves as a close reading of psychiatrist Fredric Wertham's 1950s descriptions and critiques of female comics characters. I draw on archival sources as well as relevant texts in the study of gender and sexuality. Additionally, I integrate ideas from two of his close associates, folklorist Gershon Legman and psychiatrist Hilde Mosse, whose contributions to Seduction of the Innocent are woven—often invisibly—throughout that text. The character of Wonder Woman serves as a touchstone, but other provocative female figures that Wertham found objectionable in mid-twentieth-century comics accompany her. My goal is to illuminate Wertham's understanding of what he viewed as the “regressive formula of perversity” enacted through women's representations in comics, particularly those female characters who played active roles. Although not all of these concerns are tied to lesbian identity, they do all touch on broader notions of queerness vis-à-vis deviant sexual and gender expression.
| Original language | English (US) |
|---|---|
| Pages (from-to) | 1-19 |
| Number of pages | 19 |
| Journal | Journal of Lesbian Studies |
| DOIs | |
| State | Accepted/In press - Apr 19 2018 |
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Keywords
- Fredric Wertham
- gender
- lesbianism
- postwar
- the Comics Code
- Wonder Woman
ASJC Scopus subject areas
- Gender Studies
Cite this
A regressive formula of perversity : Wertham and the women of comics. / Tilley, Carol L.
In: Journal of Lesbian Studies, 19.04.2018, p. 1-19.Research output: Contribution to journal › Article
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TY - JOUR
T1 - A regressive formula of perversity
T2 - Wertham and the women of comics
AU - Tilley, Carol L
PY - 2018/4/19
Y1 - 2018/4/19
N2 - This essay serves as a close reading of psychiatrist Fredric Wertham's 1950s descriptions and critiques of female comics characters. I draw on archival sources as well as relevant texts in the study of gender and sexuality. Additionally, I integrate ideas from two of his close associates, folklorist Gershon Legman and psychiatrist Hilde Mosse, whose contributions to Seduction of the Innocent are woven—often invisibly—throughout that text. The character of Wonder Woman serves as a touchstone, but other provocative female figures that Wertham found objectionable in mid-twentieth-century comics accompany her. My goal is to illuminate Wertham's understanding of what he viewed as the “regressive formula of perversity” enacted through women's representations in comics, particularly those female characters who played active roles. Although not all of these concerns are tied to lesbian identity, they do all touch on broader notions of queerness vis-à-vis deviant sexual and gender expression.
AB - This essay serves as a close reading of psychiatrist Fredric Wertham's 1950s descriptions and critiques of female comics characters. I draw on archival sources as well as relevant texts in the study of gender and sexuality. Additionally, I integrate ideas from two of his close associates, folklorist Gershon Legman and psychiatrist Hilde Mosse, whose contributions to Seduction of the Innocent are woven—often invisibly—throughout that text. The character of Wonder Woman serves as a touchstone, but other provocative female figures that Wertham found objectionable in mid-twentieth-century comics accompany her. My goal is to illuminate Wertham's understanding of what he viewed as the “regressive formula of perversity” enacted through women's representations in comics, particularly those female characters who played active roles. Although not all of these concerns are tied to lesbian identity, they do all touch on broader notions of queerness vis-à-vis deviant sexual and gender expression.
KW - Fredric Wertham
KW - gender
KW - lesbianism
KW - postwar
KW - the Comics Code
KW - Wonder Woman
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U2 - 10.1080/10894160.2018.1450001
DO - 10.1080/10894160.2018.1450001
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JO - Journal of Lesbian Studies
JF - Journal of Lesbian Studies
SN - 1089-4160
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