Maryam Kashani

If you made any changes in Pure these will be visible here soon.

Personal profile

Research Interests

Racial/ethnic/religious diasporas and transnational political movements; gender and sexuality; Islam and Muslim communities; visual anthropology, documentary, and experimental filmmaking; visual culture and the senses; knowledge, ethics, and power; and new media forms and methods.

Office Address

Asian American Studies
1208 W. Nevada
Urbana, IL 61801

Office Phone

217-244-9530

Teaching

Gender and Representation
Feminist Theory
Asian American Media and Film
GWS 495 Theories and Theologies of Liberation
GWS 495 Theories and Theologies of Liberation
GWS 495 Theories and Theologies of Liberation
GWS 495 Theories and Theologies of Liberation
GWS 495 Theories and Theologies of Liberation

Intellectual Property

Book Contributions

  • Kashani, Maryam. "The Audience Is Present: Invocations of El-Hajj Malik El-Shabazz by Muslims in the United States.." With Stones in Our Hands: Reflections on Racism, Muslims, and U.S. Empire. . Minneapolis: University of Minnesota Press, 2018.

Journal Articles

  • Kashani, Maryam. "Habib in the Hood: Mobilizing History and Prayer towards an Anti-Racist Islam." Amerasia Journal 44.1 (2018):
  • Kashani, Maryam. "The Intersection of Race, Gender, and Islam in the United States; Roundtable with Su'ad Abdul Khabeer, Evelyn Al-Sultany, and Sylvia Chan-Malik." Amerasia Journal (2014):

Reviews

  • Kashani, Maryam. Rev. of Descending with AngelsAmerican Anthropologist 119.4 (2017):
  • Kashani, Maryam. "Book Review of Ebrahim Moosa's What is a Madrasa?." Rev. of What is a Madrasa?Journal of the American Academy of Religion 84.1 (2016):
  • Kashani, Maryam. "Film review essay of Roxanne Varzi's Plastic Flowers Never Die." Rev. of Plastic Flowers Never DieVisual Anthropology 27.1 (2011):

Audio/Visual Publications

  • Signs of Remarkable History (HD, 77 minutes). Dir. Maryam Kashani. 2016.
  • Our Look Was as If Two Lovers or Enemies (three-channel installation). Dir. Maryam Kashani. 2015.
  • When They Give Their Word, Their Word is Bond (site-specific installation). 2012.
  • Best in the West (16mm/SDvideo, 72 minutes). Dir. Maryam Kashani. 2006.
  • things lovely and dangerous still (16mm film for trumpet and drums). Dir. Maryam Kashani. 2003.

Fingerprint Fingerprint is based on mining the text of the expert's scholarly documents to create an index of weighted terms, which defines the key subjects of each individual researcher.

  • 1 Similar Profiles

Research Output

  • 4 Book/Film/Article review
  • 4 Digital or Visual Products
  • 3 Article
  • 2 Chapter

“Wild Westernization” and Liminal Racialization at the Limits of the Middle East and North America

Kashani, M., Nov 1 2019, In : Journal of Middle East Women's Studies. 15, 3, p. 373-376

Research output: Contribution to journalBook/Film/Article review

  • Habib in the Hood: Mobilizing History and Prayer towards Anti-Racist Praxis

    Kashani, M., Apr 1 2018, In : Amerasia Journal. 44, 1, p. 61-84 24 p.

    Research output: Contribution to journalArticle

    The Audience Is Still Present: Invocations of El-Hajj Malik El-Shabazz by Muslims in the United States

    Kashani, M., May 2018, With Stones in Our Hands: Writings on Muslims, Racism, and Empire. Daulatzai, S. & Rana, J. (eds.). University of Minnesota Press, (Muslim International; vol. 2).

    Research output: Chapter in Book/Report/Conference proceedingChapter

    Review: C. Suhr's (dir.) Descending with Angels

    Kashani, M., Dec 1 2017, In : American Anthropologist. 119, 4, p. 757-758

    Research output: Contribution to journalArticle

    Review: E. Moosa's What is a Madrasa?

    Kashani, M., Jun 2 2016, In : Journal of the American Academy of Religion. 84, 2, p. 566-568

    Research output: Contribution to journalBook/Film/Article review