Personal profile

Education

Massachusetts Institute of Technology, Visual Arts Program. S.M. Visual Studies '00
Rhode Island School of Design. BFA Painting '96

 

Professional Information

Working in collaborative and cross-disciplinary modes, Kevin produces artworks, archives, and scholarship on such subjects as race and space, public memory, history of technology, and state violence. Recognition for his work has included grants from the National Science Foundation and National Endowment for the Humanities, presentation at conferences across Europe and North America (ISEA/ DEAF/CAA/NCA/ACM-SIGCHI), publication in edited journals and anthologies (Routledge/CCCS/Palm Press/UCLA), and invited residencies (Banff/USC-IML/Bratislava).

As an educator, administrator, and researcher, Kevin is focused on integration of practice-based, historical and theoretical approaches to learning about technological mediation. This work has included the development of several interdisciplinary project-based courses, workshops, and initiatives for students and faculty from the sciences, arts and humanities, with emphases on prototyping, reflection, and methodologies of collaboration.

Research Interests

Interface Aesthetics and Theory, Nuclear Weapons and Disarmament, History of Technology, History of Photography & Film, Air Force, Critical Geography, Practice-Based Research

Teaching

Digital Imaging, Time-based and Interactive Media; Critical Theory and History of Media; Collaboration

Fingerprint

Fingerprint is based on mining the text of the expert's scholarly documents to create an index of weighted terms, which defines the key subjects of each individual researcher.
  • 1 Similar Profiles

Collaborations and top research areas from the last five years

Recent external collaboration on country/territory level. Dive into details by clicking on the dots or